Popular Science Fiction by Women

The acclaimed trilogy that comprises LILITH'S BROOD is multiple Hugo and Nebula award-winner Octavia E. Butler at her best. Presented for the first time in one volume, with an introduction by Joan Slonczewski, Ph.D., LILITH'S BROOD is a profoundly evocative, sensual -- and disturbing -- epic of human transformation.

Lilith Iyapo is in the Andes, mourning the death of her family, when war destroys Earth. Centuries later, she is resurrected -- by miraculously powerful unearthly beings, the Oankali. Driven by an irresistible need to heal others, the Oankali are rescuing our dying planet by merging genetically with mankind. But Lilith and all humanity must now share the world with uncanny, unimaginably alien creatures: their own children. This is their story...

God War on Terror is one of the most important boks ever to be written on End-TImes prophecy. As Walid says, I wasted my college days taking courses on Psycholigy 101, English 101, and Sociology 101 but I never imagined Futurology 101! The bible, as I found it, is not simply a book on personal devotion as is commonly thought; it is a detailed roadmap with mountains of evidence that God exists. His design from time immemorial, regarding man's destiny, is filled with countless details about the future, especially the coming war with an Islamic coalition against Christianity and Israel. In fact, all of the references in the Bible to nations, against which God declares His war in End-times, you will find, are all Muslim.

When black cloaked Sarah Canary wanders into a railway camp in the Washington territories in 1873, Chin Ah Kin is ordered by his uncle to escort "the ugliest woman he could imagine" away. Far away. But Chin soon becomes the follower. In the first of many such instances, they are separated, both resurfacing some days later at an insane asylum. Chin has run afoul of the law and Sarah has been committed for observation. Their escape from the asylum in the company of another inmate sets into motion a series of adventures and misadventures that are at once hilarious, deeply moving, and downright terrifying.

WHERE NO ONE ELSE DARE VENTURE…

Zinzi has a Sloth on her back, a dirty online 419 scam habit – and a talent for finding lost things. But when her latest client, a little old lady, turns up dead and the cops confiscate her lastpaycheck, she’s forced to take on her least favourite kind of job: missing persons

The award-winning novel by the Author of The Shining Girls and the highly-acclaimed Moxyland.

FILE UNDER: Urban Fantasy [Gangster Shamen / Symbiotic Familiars / Teen Star Missing / Everything Breaks]


From the Paperback edition.

A seminal work of dystopian fiction that foreshadowed the worst excesses of Soviet Russia, Yevgeny Zamyatin's We is a powerfully inventive vision that has influenced writers from George Orwell to Ayn Rand. This Penguin Classics edition is translated from the Russian with an introduction by Clarence Brown. In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression. Yevgeny Zamyatin (1884-1937) was a naval engineer by profession and writer by vocation, who made himself an enemy of the Tsarist government by being a Bolshevik, and an enemy of the Soviet government by insisting that human beings have absolute creative freedom. He wrote short stories, plays and essays, but his masterpiece is We, written in 1920-21 and soon thereafter translated into most of the languages of the world. It first appeared in Russia only in 1988. If you enjoyed We, you might like George Orwell's 1984, also available in Penguin Classics. 'the best single work of science fiction yet written' Ursula K. LeGuin, author of The Left Hand of Darkness 'It is in effect a study of the Machine, the genie that man has thoughtlessly let out of its bottle and cannot put back again' George Orwell, author of 1984

A Princess of Mars (1917) is a science fantasy novel by Edgar Rice Burroughs, the first of his Barsoom series. Full of swordplay and daring feats, the novel is considered a classic example of 20th century pulp fiction. It is also a seminal instance of the planetary romance, a sub-genre of science fantasy that became highly popular in the decades following its publication. Its early chapters also contain elements of the Western. The story is set on Mars, imagined as a dying planet with a harsh desert environment. This vision of Mars was based on the work of the astronomer Percival Lowell, whose ideas were widely popularized in the late 19th and early 20th centuries. The Barsoom series inspired a number of well-known 20th century science fiction writers, including Jack Vance, Ray Bradbury, Arthur C. Clarke, Robert A. Heinlein, and John Norman. The series was also inspirational for many scientists in the fields of space exploration and the search for extraterrestrial life, including Carl Sagan, who read A Princess of Mars when he was a child.

In a world where the slightest edge can mean the difference between success and failure, Leisha Camden is beautiful, extraordinarily intelligent ... and one of an ever-growing number of human beings who have been genetically modified to never require sleep.

Once considered interesting anomalies, now Leisha and the other "Sleepless" are outcasts -- victims of blind hatred, political repression, and shocking mob violence meant to drive them from human society ... and, ultimately, from Earth itself.

But Leisha Camden has chosen to remain behind in a world that envies and fears her "gift" -- a world marked for destruction in a devastating conspiracy of freedom ... and revenge.

Half a generation ago, a gesture in the name of peace turned out to spread plague and disaster. In San Francisco, the survivors are heir to a city transformed. It is a haunted, dreaming place peopled with memories, and in a strange way nearly alive itself. And although it is only beginning to recover from near-ultimate disaster, the city is at risk again. An army of power-hungry men are descending on San Francisco. Teenagers Jax and Danny-boy must lead the fight for freedom using the only weapons they have—art, magic, and the soul of the city itself.

In Verity's world, nanotech plagues decimated the population after an initial renaissance of utopian nanotech cities. Verity has been raised, an orphan, in a tiny Shaker revival community where all are forbidden contact with the Enlivened Cities. Yet as she grows up on the isolated farm, she is often drawn to the City of Dayton, abandoned nearby, and to its self-contained and still-functioning library. Her happy life is suddenly destroyed when the Shakers, in spite of their precautions, contract a nanotech plague that possesses them. Blaze, the only young man in the community and Verity's best friend, is shot by a crazed elder. And so Verity, with her dog Cairo - and the body of Blaze wrapped in a nanotech cocoon - sets off on a quest to the Enlivened City of Cincinnati. It is a place of legend, walled off from the rest of the world, where huge bio-engineered bees carry information through the streets and enormous nanotech flowers burst from the tops of strange buildings. It is the place where Blaze might be brought back from the brink of death. But Cincinnati is a city of dreams turned into nightmares, endlessly reliving the fantasies of its creator, a city that Verity must rule - or die.

Before becoming one of today's most intriguing and innovative mystery writers, Kate Wilhelm was a leading writer of science fiction, acclaimed for classics like The Infinity Box and The Clewiston Test.

Now one of her most famous novels returns to print, the spellbinding story of an isolated post-holocaust community determined to preserve itself, through a perilous experiment in cloning. Sweeping, dramatic, rich with humanity, and rigorous in its science, Where Later the Sweet Birds Sang is widely regarded as a high point of both humanistic and "hard" SF, and won SF's Hugo Award and Locus Award on its first publication. It is as compelling today as it was then.

Where Late the Sweet Birds Sang is the winner of the 1977 Hugo Award for Best Novel.

Built in 1952 for the United States Lines, the SS United States was unlike any other ocean liner. She had been designed from the outset to serve as both a transatlantic ferry and as a troop and hospital ship in time of war. Her design was a military secret and her power plant similar to that fitted to the largest of American battleships. She could do a staggering 45kt, over twelve knots faster than her nearest rival could. She soon became the ship to be seen on, and the illustrious passenger lists included the Duke and Duchess of Windsor, who favored the ship's Duck Suite. The entry of the SS United States, the largest passenger ship built in America, marked the first time since the 1850s that an American ship had held the Blue Riband. This amazing ocean liner surpassed European speed records by a huge margin and a ship as fast is unlikely ever to be built again.William H. Miller tells the story of the SS United States from her construction at Newport News to the present day. Today, she lies derelict in Philadelphia, but big plans are in place to restore her and turn her back into a luxurious floating hotel.

Winner of the 2011 Nebula Award for Best Novel

Winner of the 2012 Hugo Award for Best Novel

Startling, unusual, and yet irresistably readable, Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.

Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes in industrial ruins. But her mind found freedom and promise in the science fiction novels that were her closest companions. Then her mother tried to bend the spirits to dark ends, and Mori was forced to confront her in a magical battle that left her crippled--and her twin sister dead.
Fleeing to her father whom she barely knew, Mori was sent to boarding school in England-a place all but devoid of true magic. There, outcast and alone, she tempted fate by doing magic herself, in an attempt to find a circle of like-minded friends. But her magic also drew the attention of her mother, bringing about a reckoning that could no longer be put off...
Combining elements of autobiography with flights of imagination in the manner of novels like Jonathan Lethem's The Fortress of Solitude, this is potentially a breakout book for an author whose genius has already been hailed by peers like Kelly Link, Sarah Weinman, and Ursula K. Le Guin.
One of School Library Journal's Best Adult Books 4 Teens titles of 2011
One of io9's best Science Fiction & Fantasy books of the year 2011

Called “one of our brightest cultural commentators” by Publishers Weekly, Kit Reed draws from life—with a difference. This new collection brings together thirty-four of her strong, original stories, from early classics like “The Wait” and “Winter” to six never-before-collected short stories, including “The Legend of Troop 13” and “Wherein We Enter the Museum.” An early favorite, “Automatic Tiger,” is the first in a series of Reed’s stories about animals. There’s a monkey who grinds out bestsellers with the help of a “creative writing” app. Her uncanny black dog can enter a crowded room and sit down at the feet of the next man to die. Her characters confront war in various arenas: mother/daughter battles, the war of the sexes, the struggles of men scarred by war. Kit Reed’s self-described “transgenred” fiction is confirmation of an “extraordinary talent” (The Financial Times). The range and complexity of her work speaks for itself in The Story Until Now.