In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.
In the year 2044, reality is an ugly place. The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as theÂ OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confinesâ€”puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them.Â
Â Â Â But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to winâ€”and confront the real world he's always been so desperate to escape.
A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what it undoubtedly the grandest epic in science fiction.
In Beatrice Priorâ€™s dystopian Chicago world, society is divided into five factions, each dedicated to the cultivation of a particular virtueâ€”Candor (the honest), Abnegation (the selfless), Dauntless (the brave), Amity (the peaceful), and Erudite (the intelligent). On an appointed day of every year, all sixteen-year-olds must select the faction to which they will devote the rest of their lives. For Beatrice, the decision is between staying with her family and being who she really isâ€”she canâ€™t have both. So she makes a choice that surprises everyone, including herself.
During the highly competitive initiation that follows, Beatrice renames herself Tris and struggles alongside her fellow initiates to live out the choice they have made. Together they must undergo extreme physical tests of endurance and intense psychological simulations, some with devastating consequences. As initiation transforms them all, Tris must determine who her friends really areâ€”and where, exactly, a romance with a sometimes fascinating, sometimes exasperating boy fits into the life she's chosen. But Tris also has a secret, one she's kept hidden from everyone because she's been warned it can mean death. And as she discovers unrest and growing conflict that threaten to unravel her seemingly perfect society, she also learns that her secret might help her save those she loves . . . or it might destroy her.
Debut author Veronica Roth bursts onto the YA scene with the first book in the Divergent seriesâ€”dystopian thrillers filled with electrifying decisions, heartbreaking betrayals, stunning consequences, and unexpected romance.A Q&A with Author Veronica Roth
Q: What advice would you offer to young aspiring writers, who long to live a success story like your own?
Roth: One piece of advice I have is: Want something else more than success. Success is a lovely thing, but your desire to say something, your worth, and your identity shouldnâ€™t rely on it, because itâ€™s not guaranteed and itâ€™s not permanent and itâ€™s not sufficient. So work hard, fall in love with the writingâ€”the characters, the story, the words, the themesâ€”and make sure that you are who you are regardless of your life circumstances. That way, when the good things come, they donâ€™t warp you, and when the bad things hit you, you donâ€™t fall apart.
Q: Youâ€™re a young author--is it your current adult perspective or not-so-recent teenage perspective that brought about the factions in the development of this story? Do you think that teens or adults are more likely to fit into categories in our current society?
Roth: Other aspects of my identity have more to do with the factions than my age. The faction system reflects my beliefs about human natureâ€”that we can make even something as well-intentioned as virtue into an idol, or an evil thing. And that virtue as an end unto itself is worthless to us. I did spend a large portion of my adolescence trying to be as â€œgoodâ€ as possible so that I could prove my worth to the people around me, to myself, to God, to everyone. Itâ€™s only now that Iâ€™m a little older that I realize I am unable to be truly â€œgoodâ€ and that itâ€™s my reasons for striving after virtue that need adjustment more than my behavior. In a sense, Divergent is me writing through that realizationâ€”everyone in Beatriceâ€™s society believes that virtue is the end, the answer. I think thatâ€™s a little twisted.
I think we all secretly love and hate categoriesâ€”love to get a firm hold on our identities, but hate to be confinedâ€”and I never loved and hated them more than when I was a teenager. That said: Though we hear a lot about high school cliques, I believe that adults categorize each other just as often, just in subtler ways. It is a dangerous tendency of ours. And it begins in adolescence.
Q: If you could add one more faction to the world within Divergent, what would it be?
Roth: I tried to construct the factions so that they spanned a wide range of virtues. Abnegation, for example, includes five of the traditional â€œseven heavenly virtues:â€ chastity, temperance, charity, patience, and humility. That said, it would be interesting to have a faction centered on industriousness, in which diligence and hard work are valued most, and laziness is not allowed. They would be in constant motion, and would probably be happy to take over for the factionless. And hard-working people can certainly take their work too far, as all the factions do with their respective virtues. Iâ€™m not sure what they would wear, though. Overalls, probably.
Q: What do you think are the advantages, if any, to the society youâ€™ve created in Divergent?
Roth: All the advantages I see only seem like advantages to me because I live in our current society. For example, the members of their society donâ€™t focus on certain things: race, religion, sexual orientation, political affiliation, etc. I mean, a world in which you look different from the majority and no one minds? That sounds good to me. But when I think about it more, I realize that theyâ€™re doing the exact same thing we do, but with different criteria by which to distinguish ourselves from others. Instead of your skin color, itâ€™s the color of your shirt that people assess, or the results of your aptitude test. Same problem, different system.
Q: What book are you currently reading and how has it changed you, if at all?
Roth: I recently finished Imaginary Girls by Nova Ren Suma, which I would call â€œcontemporary with a paranormal twist,â€ or something to that effect. Itâ€™s about a girl whose sister has a powerful kind of magnetism within the confines of a particular town, and how their love for each other breaks some things apart and puts other things back together. It was refreshing to read a young adult book that is about sisterhood instead of romance. Itâ€™s one of those books that makes you love a character and then hate a character and then love them againâ€”that shows you that people arenâ€™t all good or all bad, but somewhere in between. Imaginary Girls gave me a lot to think about, and the writing was lovely, which I always love to see.